Publisher: Insight Editions
Release Date: September 07, 2021
Born in Knoxville, Tennessee, in 1963, Quentin Tarantino spent many Saturday evenings during his childhood accompanying his mother to the movies, nourishing a love of film that was, over the course of his life, to become all-consuming. It is just as well, because he would grow up to be one of American cinema’s most celebrated filmmakers. Known for his highly cinematic visual style, out-of-sequence storytelling, and grandiose violence, Tarantino’s films have provoked both praise and criticism over the course of his career. They’ve also won him a host of awards — including Oscars, Golden Globes, and BAFTA awards — usually for his original screenplays. His oeuvre includes the cult classic Pulp Fiction, bloody revenge saga Kill Bill Vol. 1 and Vol. 2, and historical epics Inglorious Basterds, Django Unchained, and The Hateful Eight. This stunning retrospective catalogs each of Quentin Tarantino’s movies in detail, from My Best Friend’s Birthday to The Hateful Eight. The book is a tribute to a unique directing and writing talent, celebrating an uncompromising, passionate director’s enthralling career at the heart of cult filmmaking.
Make no mistake about this, Tarantino: A Retrospective isn’t merely coffee-table fluff with a lot of great photographs and artwork (although, there are plenty of great photos to be found throughout the book). This is an informative examination of the director’s career. Tom Shone’s text is a seamless mixture of career biography, retrospective appreciation, and film criticism. Surprisingly, there aren’t many essential books available about the director. This makes Shone’s text all the more essential for those who love the director’s work. In our review of the original edition, we mentioned that some might feel that the text was slightly premature since Tarantino has consistently insisted that he will only make ten films before he retires from making movies. It seemed a shame that his final two films were inevitably left out of the retrospective.
Well, this new edition of the book tries to rectify this one issue slightly by adding a sixteen page chapter that covers Once Upon A Time in Hollywood and a slightly different epilogue that is slightly updated from the 2017 edition. Everything else about the book is exactly the same, so it may not be worth the money to purchase this new edition if you already own the first edition. Having said this, those who do not yet own either edition of the book will want to pick up this “Revised and Expanded Edition.”