Book Review: Me and You and Memento and Fargo: How Independent Screenplays Work

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Publisher: Bloomsbury Academic

Release Date: March 15, 2007

J.J. Murphy’s Me and You and Memento and Fargo: How Independent Screenplays Work is a study of the screenplay structure used in twelve successful independent films (Stranger than Paradise, Safe, Fargo, Trust, Gas Food Lodging, Me and You and Everyone We Know, Reservoir Dogs, Elephant, Memento, Mulholland Drive, Gummo, and Slacker). Murphy compares the structure of these films to the ‘traditional’ three act paradigm that is taught in the manuals. Syd Field, Linda Seger, Robert McKee, and other notable manual writers are discussed and quoted at length. Murphy often does this in order to compare the structure of these independent films to traditional structure that is taught by screenwriting manuals. These quotes are often associated with the films discussed in the book, but while the manuals tend to explain why these diversions from typical structural paradigms are a mistake, Murphy argues that these diversions are actually responsible for the success of the film. Murphy claims that these unusual diversions from the structure taught in manuals subvert audience expectations in original ways (and actually add resonance to the themes covered in these films).

While this book isn’t a screenwriting manual, it has the potential to serve future scriptwriters by validating the desire to digress from traditional paradigms. It makes a nice companion to the more rigid manuals on the market. This text will also be of interest to fans of the various films discussed in these pages. Before reading Murphy’s book, this reviewer had only seen seven of the twelve films discussed. It created a strong desire to watch the other five films, and managed to raise my appreciation for the seven films that I had previously seen.

Review by: Devon Powell

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