Publisher: Quarto Press
Release Date: November 19, 2019
For 40 years, audiences have been simultaneously captivated and appalled as the spaceship Nostromo is invaded and its crew stalked by a terrifying parasitic creature. From the gore of the infant alien bursting from Kane’s chest to the mounting claustrophobia as Ripley discovers the monster has followed her into the escape shuttle, Alien is a chilling masterpiece. It is a film that deserves an excellent “Making of” text, but are two texts really necessary?
Quarto Press is giving Ian Nathan’s Alien Vault: The Definitive Story of the Making of the Film a 40th Anniversary edition that falls on the heels of J. W. Rinzler’s The Making of Alien—a larger and longer coffee table epic that this reviewer thoroughly enjoyed. However, there is something to be said for Ian Nathan’s original book, which manages to be just as gorgeous and engaging as Rinzler’s later work.
There is plenty of informational overlap, and both books contain some of the same production photographs. However, there are enough differences to recommend both texts to die-hard Alien fanatics. Both books trace the path of the film’s production “from embryonic concept to fully fledged box office phenomenon,” but there are differences in their delivery and a few nuggets of information that don’t cross over. What’s more, both books include a wealth of production photography, sketches, storyboards, and all sorts of pertinent visual documentation.
In fact, Nathan’s book adds icing to the cake by adding two compartments containing “ten meticulously reproduced artifacts—such as replications of storyboards, a detailed schematic of the Nostromo, early designs of O’Bannon’s face-hugger concept, and a promotional poster from Japan.” It’s a nice tactile bonus for fans to enjoy. What’s more, this 40th Anniversary edition has an added chapter that discusses “Ridley Scott’s return to the Alien saga with Prometheus and Alien: Covenant.” Better yet, lends this text added legitimacy by providing the book’s forward.
In other words, each book is nice enough to warrant a special place on the cinephile’s bookshelf. Casual fans who prefer to only add one book to their collection may find the Rinzler text a bit more substantial, but don’t proceed under the illusion that you aren’t missing anything by not examining Nathan’s beautiful book.