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Classic Cinema Filmmakers

Book Review: Stanley Kubrick – American Filmmaker (Jewish Lives)

Stanley Kubrick - American Filmmaker - Cover

Publisher: Yale University Press

Release Date: August 18, 2020

Kubrick enthusiasts will be wondering how this new volume compares to John Baxter’s biography (which was approximately 360 pages in length if one doesn’t count the book’s various appendages) and Vincent Lobrutto’s examination of the director’s life (which was a healthy 500 pages in length if one discounts the appendages). This new text by David Mikics is less comprehensive in many ways (it is only 204 pages) but examines Stanley Kubrick’s life through a different lens than the two previous tomes.

Stanley Kubrick: American Filmmaker is part of a “prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences.” David Mikics draws from interviews and new archival material to examine the enigmatic director’s life and how it influenced his work. He puts forth the theory that “Kubrick’s Jewishness played a crucial role in his idea of himself as an outsider.” His life and work is examined in this particular context, and this alternative approach to the subject has resulted in a book that will earn its place in Kubrickian scholarship even if one expects Mikics to examine this angle more than he does. It certainly makes a terrific introductory primer on the director’s life and work.

Categories
"Making of" Classic Cinema Filmmakers

Book Review: Reconstructing Strangelove – Inside Stanley Kubrick’s ‘Nightmare Comedy’

Book Cover

Publisher: Wallflower Press

Release Date: January 2017

Mick Broderick offers Kubrick scholars a rare glimpse into the creation of what may very well be the director’s most important film: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. The text makes use of Kubrick’s own production papers from the Stanley Kubrick Archives in order to dissect the film’s creative evolution as well as its legitimacy in terms of how accurate the film’s depiction of nuclear warfare policies actually were. Several popular myths about the film’s production are proven false even as others are confirmed. Broderick doesn’t try to document the film’s creation and the reader shouldn’t expect a comprehensive examination of the film’s creation. Instead, we are given a scholarly examination of how the film was shaped by the cold war environment, the scientists and world leaders who created that environment, and Kubrick’s creative collaborators. It earns an easy recommendation for fans of the director and for those who admire the film itself.

Review by: Devon Powell