Publisher: Aurum Press
Release Date: November 09, 2017
Ian Nathan’s wonderful new book on the Coen Brothers and films can best be described as a career biography that blends “behind the scenes” information with scholarly analysis. It is an essential text for anyone with an affection for those with an affection for the Coen filmography. The in-depth and informative text re-examines their entire output with an emphasis on the films that they directed themselves. It covers their early lives to their indie debut with Blood Simple to their most recent release of Hail Caesar! Packed with stunning images from the Kobal archives, the book also mentions their upcoming mini-series, The Ballad of Buster Scruggs.
What’s more, the presentation is really quite special as the hardback book is housed in an attractive slipcase that is extremely sturdy. Everything about the book earns our enthusiastic approval and recommendation.
Publisher: Insight Editions
Release Date: October 03, 2017
Born in Knoxville, Tennessee, in 1963, Quentin Tarantino spent many Saturday evenings during his childhood accompanying his mother to the movies, nourishing a love of film that was, over the course of his life, to become all-consuming. It is just as well, because he would grow up to be one of American cinema’s most celebrated filmmakers. Known for his highly cinematic visual style, out-of-sequence storytelling, and grandiose violence, Tarantino’s films have provoked both praise and criticism over the course of his career. They’ve also won him a host of awards—including Oscars, Golden Globes, and BAFTA awards—usually for his original screenplays. His oeuvre includes the cult classic Pulp Fiction, bloody revenge saga Kill Bill Vol. 1 and Vol. 2, and historical epics Inglorious Basterds, Django Unchained, and The Hateful Eight. This stunning retrospective catalogs each of Quentin Tarantino’s movies in detail, from My Best Friend’s Birthday to The Hateful Eight. The book is a tribute to a unique directing and writing talent, celebrating an uncompromising, passionate director’s enthralling career at the heart of cult filmmaking.
Make no mistake about this, Tarantino: A Retrospective isn’t merely coffee-table fluff with a lot of great photographs and artwork (although, there are plenty of great photos to be found throughout the book). This is an informative examination of the director’s career! Tom Shone’s text is a seamless mixture of career biography, retrospective appreciation, and film criticism. Surprisingly, there aren’t many essential books available about the director. This makes Shone’s text all the more essential for fans of the director, but it almost seems a bit premature when one considers the fact that Tarantino has consistently insisted that he will only make ten films before he retires from making movies. With eight films under his belt, one wonders why Shone didn’t wait a few years to release the book so that it could include those two new projects. We can’t answer this question with any authority, but we can say with absolute certainty that fans will be very happy that they didn’t have to wait!
Publisher: Wallflower Press
Release Date: January 2017
Mick Broderick offers Kubrick scholars a rare glimpse into the creation of what may very well be the director’s most important film: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. The text makes use of Kubrick’s own production papers from the Stanley Kubrick Archives in order to dissect the film’s creative evolution as well as its legitimacy in terms of how accurate the film’s depiction of nuclear warfare policies actually were. Several popular myths about the film’s production are proven false even as others are confirmed. Broderick doesn’t try to document the film’s creation and the reader shouldn’t expect a comprehensive examination of the film’s creation. Instead, we are given a scholarly examination of how the film was shaped by the cold war environment, the scientists and world leaders who created that environment, and Kubrick’s creative collaborators. It earns an easy recommendation for fans of the director and for those who admire the film itself.
Review by: Devon Powell
Inside His Films, Notebooks, and Collections
Publisher: Insight Editions
Release Date: August 30, 2016
“This exhibition presents a small fraction of the things that have moved me, inspired me, and consoled me as I transit through life. It’s a devotional sampling of the enormous love that is required to create, maintain, and love monsters in our lives.” –Guillermo del Toro
An unusual new exhibit on the work of Guillermo del Toro recently opened at the Los Angeles County Museum of Art (LACMA) before moving on to the Art Gallery of Ontario (AGO) and the Minneapolis Museum of Art (MIA). Guillermo del Toro: At Home with Monsters is the exhibit’s official catalogue, and claims to focus on del Toro’s creative process, including the well-defined themes that he obsessively returns to in all his films, the journals in which he logs his ideas, and the vast collection of art and pop culture ephemera that he has amassed at Bleak House (the director’s unusual “man cave”). The book is filled with imagery from the exhibition, including art selections curated by del Toro himself and pertinent pages from his own journals.
Essays by various curators and historians focus on the nature of collecting or give historical information about monsters and their importance. These essays are interesting enough, but those wishing for real insight into the director’s creative process might be disappointed. This information is confined to a short but interesting interview with del Toro. Unfortunately, the interview could hardly be considered an in-depth study of his creative process. Even the handful of pages from the director’s notebooks don’t really provide much in the way of actual information about the director’s work.
Guillermo del Toro: At Home with Monsters will make a great souvenir for those who attend his expedition, but those who want concrete insights to the director’s work or creative process will feel short changed. This beautiful but somewhat anemic book is for the completest.
Review by: Devon Powell