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Alfred Hitchcock Classic Cinema

Book Review: Perpetual Movement – Alfred Hitchcock’s ‘Rope’

Alfred Hitchcock Master

Perpetual Movement

Publisher: State University of New York Press

Release Date: July 2021

“I wondered while planning this book if I should divide Rope into hundreds of brief fragments for examination. I quickly realized, however, that Hitchcock’s film… has a textual form that suggests a convenient way in which to separate the text for consideration: it is already divided into eleven lexias.” —Neil Badmington (Introduction, Perpetual Movement: Alfred Hitchcock’s ‘Rope,’ 2021)

Neil Badmington’s lengthy analysis of Alfred Hitchcock’s Rope (1948) is the first of its kind. Each of the book’s eleven chapters covers one of the film’s eleven shots—with the first chapter covering the film’s production history and its eventual release since the shot is essentially the credit sequence (although this shot is also discussed briefly). This chapter is only seventeen and a half pages in length, so those who want an in-depth examination of the film’s production and…

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Alfred Hitchcock Classic Cinema

Book Review: The Twelve Lives of Alfred Hitchcock

Alfred Hitchcock Master

The Twelve Lives Of Alfred Hitchcock - Cover

Publisher: W. W. Norton & Company

Release Date: April 13, 2021

Edward White’s The Twelve Lives of Alfred Hitchcock is called a biography in the book’s marketing materials, but this text is actually a different animal. In any case, it falls short as a biography. It’s best to look at the book as a study of various aspects of Alfred Hitchcock’s personality or persona. There are twelve in total, and each is given its own chapter:

“The Boy Who Couldn’t Grow Up”

“The Murderer”

“The Auteur”

“The Womanizer”

“The Fat Man”

“The Dandy”

“The Family Man”

“The Voyeur”

“The Entertainer”

“The Pioneer”

“The Londoner”;

“The Man of God”

Each of these elements are examined in some depth as we learn biological information mixed with theoretical commentary. It’s all very interesting and thoroughly enjoyable even if we might disagree with certain opinions peppered throughout the pages or question some of the…

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Alfred Hitchcock Classic Cinema Directing

Book Interview: The Camera Lies – Acting For Hitchcock

Alfred Hitchcock Master

TCL - Cover

Publisher: Oxford University Press

Release Date: September 01, 2020

A Conversation with Dan Callahan

“Even when we know everything about a movie down to its shooting schedule and budget and technical tricks, we believe at some level that the magic trick is real. And of course nothing delighted Hitchcock more than explaining his tricks with the camera, his devices to make it lie. He wanted us to know it all and then still fall for it, and fall in love. Watch his films again, fall in love again, and know that we are falling in love with a mirage, with a lie.” –Dan Callahan (The Camera Lies, 2020)

Alfred Hitchcock is said to have once remarked, “Actors are cattle,” a line that has stuck in the public consciousness ever since. For Hitchcock, acting was a matter of contrast and counterpoint, valuing subtlety and understatement over flashiness. He felt that…

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Alfred Hitchcock Classic Cinema Filmmakers

Book Interview: Hitchcock’s California – Vista Visions from the Camera Eye

Alfred Hitchcock Master

Hitchcock's California (Small Cropped)

Publisher: Middlebrow Books

Release Date: March 29, 2020 (Tentative)

Robert Jones (Small) Robert Jones

A Conversation with Robert Jones

Hitchcock’s California: Vista Visions from the Camera Eye” celebrates (and re-creates) images that evoke scenes from many of the great director’s most famous films—including Notorious, Vertigo, North by Northwest, Psycho, The Birds, and a great many more classics. It was a labor of love for Robert Jones (the book’s primary creator) and a treat for Alfred Hitchcock’s fans. Jones’s excellent location photography is supplemented by photographs created by Aimee Sinclair that re-create memorable scenes from “Hitch’s” greatest movies and commentary by Dan Auiler (author of “Vertigo: The Making of a Hitchcock Classic” and “Hitchcock’s Notebooks“).

Alfred Hitchcock Master is honored to have had the opportunity to talk to Robert Jones, Aimee Sinclair, and Dan Auiler about their incredible new book:

AHM: How…

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Alfred Hitchcock Classic Cinema Directing Filmmakers

Book Interview: Hitchcock and the Censors

Alfred Hitchcock Master

Hitchcock and the Censors - Cover

Publisher: The University Press of Kentucky

Release Date: June 14, 2019

A Conversation with John Billheimer

John Billheimer has written a book that seems long overdue. In Hitchcock and the Censors, he “traces the forces that led to the Production Code and describes Hitchcock’s interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers, and sidestepping censorship to produce a lifetime of memorable films. By examining Hitchcock’s priorities in dealing with the censors, this work highlights the director’s theories of suspense as well as his magician-like touch when negotiating with code officials.”

Billheimer has graciously agreed to discuss both his book and Alfred Hitchcock’s battle with censorship in this exclusive interview.

Joseph Breen Joseph Breen headed the Production Code Administration until his failing health forced him to step down in 1954.

AHM: Would you tell us about your new book? How…

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Alfred Hitchcock Classic Cinema

Book Interview: Hitchcock and Humor

Alfred Hitchcock Master

Hitchcock and Humor Cover.jpg

Publisher: McFarland

Release Date: April 23, 2019

A Conversation with Wes D. Gehring

An analysis of Alfred Hitchcock’s methodical use of comedy in his films is past due, and Hitchcock and Humor: Modes of Comedy in Twelve Defining Films helps to fill this void. The book examines what should be obvious: Hitchcock systematically incorporated assorted types of comedy—black humor, farce/screwball comedy, and romantic comedy—in his films to entertain his audience.

Alfred Hitchcock Master is honored to have had the opportunity to interview Wes Gehring about his work on the book, and we are proud to present it here for your reading enjoyment.

Alfred Hitchock Being A Big Goof (18)

AHM: Could you describe Hitchcock and Humor for our readers? What makes this book stand out amongst the others in your opinion?

WG: As the back cover blurb suggests, in preparing for TCM’s 2017 online Hitchcock class, as one of the resident scholars, I was shocked…

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Alfred Hitchcock Classic Cinema

Book Interview: Hitchcock’s Heroines

Alfred Hitchcock Master

Cover

Publisher: Insight Editions

Release Date: May 01, 2018

A Conversation with Caroline Young

From his early days as a director in the 1920s to his heyday as the Master of Suspense, Alfred Hitchcock had a complicated and controversial relationship with his leading ladies. He supervised their hair, their makeup, their wardrobe, and pushed them to create his perfect vision onscreen. These women were often style icons in their own right, and the clothes that they wore imbued the films with contemporary glamor.

Quite a lot has been written over the past few decades regarding Alfred Hitchcock’s use of women in his films—some of it from a scholarly or theoretical standpoint and some of it from a sensationalized tabloid angle that only serves to muddy the waters of responsible scholarship. However, it must be said that this new Insight Editions release of Caroline Young’s Hitchcock’s Heroines doesn’t quite fall into either…

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Alfred Hitchcock Filmmakers

Book Review: Partners in Suspense

Alfred Hitchcock Master

Book Cover

Publisher: Manchester University Press

Release Date: January 18, 2017

“This book brings together new work and new perspectives on the relationship between Hitchcock and Herrmann. Featuring chapters by leading scholars of Hitchcock’s work, the volume examines the working relationship between the two and the contribution that Herrmann’s work brings to Hitchcock’s idiom, as well as expanding our understanding of how music fits into that body of work. The goal of these analyses is to explore approaches to sound, music, collaborative authorship, and the distinctive contribution that Herrmann brought to Hitchcock’s films. Consequently, the book examines these key works, with particular focus on what Elisabeth Weis called ‘the extra-subjective films’—Vertigo (1958),Psycho (1960),The Birds (1963)—and explores Herrmann’s palpable role in shaping the sonic and musical landscape of Hitchcock’s work, which, the volume argues, has a considerable transformative effect on how we understand Hitchcock’s authorship.

The collection examines the significance…

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Alfred Hitchcock Filmmakers

Book Interview: The Alfred Hitchcock Encyclopedia

Alfred Hitchcock Master

Cover

Publisher: Rowman and Littlefield

Release Date: June 09, 2016

A Conversation with Steven Whitty

Several decades after his last motion picture was produced, Alfred Hitchcock is still regarded by critics and fans alike as one of the masters of cinema. To study the life and films of Alfred Hitchcock is to study the history of cinema. From the silent films of the 1920s to his final feature in 1976, the director’s many films continue to entertain audiences and inspire filmmakers. In The Alfred Hitchcock Encyclopedia, Stephen Whitty provides a detailed overview of the director’s work. This reference volume features in-depth critical entries on each of his major films as well as biographical essays on his most frequent collaborators and discussions of significant themes in his work. For this book, Whitty doesn’t merely draw from the overwhelming pool of scholarship that already exists (though this does seem to be the…

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Alfred Hitchcock Filmmakers

Book Review: Hidden Hitchcock

Alfred Hitchcock Master

Dust Jacket

Publisher: The University of Chicago Press

Release Date: August 1, 2016

“It is my project here to trace a different, more devious rout taken by the surplus scrutiny that Hitchcock mobilizes in us. In contrast to the games that he is known to play with his Pavlovianly [sic] trained mass audience, I postulate a game he would be playing with that absurdly, pointlessly watchful spectator who dwells within us all, but whom, as members of a mass audience, or as critics in loyal alignment with it, we mostly put on lockdown; and whom I call the Too-Close Viewer. In this game, and for this viewer alone, Hitchcock would cultivate, alongside his manifest style with its hyper-legible images, a secret style that sows these images with radical duplicity. The type of duplicity to which this book gives emblematic pride of place is the hidden picture, in which a strongly narrativized…

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