Publisher: Insight Editions
Release Date: July 18, 2017
“The Making of Dunkirk” tells the incredible story of how Christopher Nolan (Memento, The Dark Knight Trilogy) brought a historical moment in World War II to life on the screen using innovative film-making techniques that give the film a gritty, exhilarating realism rarely seen in modern cinema. Those who haven’t seen the film itself should correct their oversight soon. It tells the story of the evacuation of British troops from Dunkirk, France, in a daring endeavor that saved them from certain defeat at the hands of enemy forces. Featuring a stunning ensemble cast that includes newcomers Fionn Whitehead, Tom Glynn-Carney, and Harry Styles, as well as acclaimed actors Kenneth Branagh, Mark Rylance, Cillian Murphy, and Tom Hardy, Dunkirk offers a breathtaking glimpse at a turning point in the conflict determined by not only the ingenuity of the British forces but also the bravery of British civilians who sailed into war-torn waters to save them. The film has already received an incredible amount of box office and critical success—earning 3 Golden Globe Nominations (Best Picture, Best Director, and Best Score) and 8 Academy Awards Nominations (Best Picture, Best Director, Best Cinematography, Best Production Design, Best Film Editing, Best Original Score, Best Sound Editing, and Best Sound Mixing).
James Mottram’s coffee table account of the creation of Dunkirk gives a surprisingly comprehensive account of production. Interviews with the director and key department heads give the text a more authentic resonance and offers the reader first-hand accounts of the film’s creation. Of course, the information is richly illustrated with never-before-seen imagery from the shoot, concept art, storyboards, and other documentation. The accumulative effect is both enjoyable and informative, and the book is essential reading for fans of the film or for anyone who admires the director.
Publisher: Aurum Press
Release Date: November 09, 2017
Ian Nathan’s wonderful new book on the Coen Brothers and films can best be described as a career biography that blends “behind the scenes” information with scholarly analysis. It is an essential text for anyone with an affection for those with an affection for the Coen filmography. The in-depth and informative text re-examines their entire output with an emphasis on the films that they directed themselves. It covers their early lives to their indie debut with Blood Simple to their most recent release of Hail Caesar! Packed with stunning images from the Kobal archives, the book also mentions their upcoming mini-series, The Ballad of Buster Scruggs.
What’s more, the presentation is really quite special as the hardback book is housed in an attractive slipcase that is extremely sturdy. Everything about the book earns our enthusiastic approval and recommendation.
Publisher: Harper Design
Release Date: October 24, 2017
There are two kinds of coffee table books. The first category includes books that are quick cash-in products and have been built around a generous helping of still photography that includes the occasional quote or caption spread throughout the pages. If these books offer text, it is usually generalized fluff that offers very little in the way of actual information. Needless to say, these books are quite disappointing to the discerning reader.
The second category is quite different. These books offer much more to the discerning reader. The images mix organically with textual information in a way that creates a relationship between these two ingredients, and the result is incredibly informative and extremely entertaining. It is our pleasure to assure readers that Close Encounters of the Third Kind: The Ultimate Visual History belongs to this second category.
It is described by Harper design as a “fully authorized behind-the-scenes book exploring the creation, production, and legacy of this iconic film” and we feel that the book more than lives up to this description. Created in conjunction with Sony Pictures and Amblin Entertainment, it details the complete creative journey behind the making of the film and examines its cultural impact. The book features a wealth of rare and never-before-seen images from the archives—including on-set photography, concept art, storyboards, and even script pages in an effort to create a visual narrative of the film’s journey to the big screen. Interviews with some of the key contributors were utilized in an effort to create a first-hand commentary about the making of this film classic.
Needless to say, we can wholeheartedly recommend this excellent book to anyone who has an affection for the film or Steven Spielberg.
Publisher: Insight Editions
Release Date: October 03, 2017
Born in Knoxville, Tennessee, in 1963, Quentin Tarantino spent many Saturday evenings during his childhood accompanying his mother to the movies, nourishing a love of film that was, over the course of his life, to become all-consuming. It is just as well, because he would grow up to be one of American cinema’s most celebrated filmmakers. Known for his highly cinematic visual style, out-of-sequence storytelling, and grandiose violence, Tarantino’s films have provoked both praise and criticism over the course of his career. They’ve also won him a host of awards—including Oscars, Golden Globes, and BAFTA awards—usually for his original screenplays. His oeuvre includes the cult classic Pulp Fiction, bloody revenge saga Kill Bill Vol. 1 and Vol. 2, and historical epics Inglorious Basterds, Django Unchained, and The Hateful Eight. This stunning retrospective catalogs each of Quentin Tarantino’s movies in detail, from My Best Friend’s Birthday to The Hateful Eight. The book is a tribute to a unique directing and writing talent, celebrating an uncompromising, passionate director’s enthralling career at the heart of cult filmmaking.
Make no mistake about this, Tarantino: A Retrospective isn’t merely coffee-table fluff with a lot of great photographs and artwork (although, there are plenty of great photos to be found throughout the book). This is an informative examination of the director’s career! Tom Shone’s text is a seamless mixture of career biography, retrospective appreciation, and film criticism. Surprisingly, there aren’t many essential books available about the director. This makes Shone’s text all the more essential for fans of the director, but it almost seems a bit premature when one considers the fact that Tarantino has consistently insisted that he will only make ten films before he retires from making movies. With eight films under his belt, one wonders why Shone didn’t wait a few years to release the book so that it could include those two new projects. We can’t answer this question with any authority, but we can say with absolute certainty that fans will be very happy that they didn’t have to wait!
Publisher: Wallflower Press
Release Date: January 2017
Mick Broderick offers Kubrick scholars a rare glimpse into the creation of what may very well be the director’s most important film: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. The text makes use of Kubrick’s own production papers from the Stanley Kubrick Archives in order to dissect the film’s creative evolution as well as its legitimacy in terms of how accurate the film’s depiction of nuclear warfare policies actually were. Several popular myths about the film’s production are proven false even as others are confirmed. Broderick doesn’t try to document the film’s creation and the reader shouldn’t expect a comprehensive examination of the film’s creation. Instead, we are given a scholarly examination of how the film was shaped by the cold war environment, the scientists and world leaders who created that environment, and Kubrick’s creative collaborators. It earns an easy recommendation for fans of the director and for those who admire the film itself.
Review by: Devon Powell
Publisher: Focal Press
Release Date: November 15, 2014
Jeff Foster’s textbook on green screen production methods is intended to be a comprehensive educational resource for beginners. While it covers every aspect of the green screen process (the screen itself, lighting, compositing, etc.), it is quite vague and not terribly in-depth despite the wealth of photographs that provide visual examples to clarify the text. It makes for a reasonably solid introduction for filmmakers, but anyone looking for detailed instruction will have to find it elsewhere.
Review by: Devon Powell